They survive these encounters reasonably intact as a crew, and prepare to land on the planet intended as their new home, where all of the problems that destroyed their original home world will have been solved. Michael, delusional about mission failure, barricades himself in a vital part of the ship. The dead are dressed in formal wear symbolic of capitalist largesse. Passing nearby a nebula, the ship becomes infected by radiation that makes everybody become sleepy. One of the Ikarie's men accidently triggers a nuclear bomb aboard. Even the deranged Michael is dealt with gently and humanely as his friend coaxes him into surrendering.
The look obviously suspended by wires. The Ikarie has encountered a derelict ship. As opposed to most American science-fiction films around the same era, the Soviet films seem unconcerned with the dangers of the rest of the universe — the Soviets never made any alien invasion films, for instance, and there are no atomic monsters in their films; at most, many of these have a minor comment about alien civilisations having been destroyed by nuclear war. Though longer, and a bit dialogue-heavy, has a smoother story line. The two deaths exacerbate stresses among the crew. There is a particularly clunky and ridiculous looking robot.
The rest of the crew are trying to reason with him. Perhaps something divine, as Anthony suggests in the original? Voyage To The End Of The Universe 1963 A giant spaceship carrying colonists to a new planet runs into unexpected troubles on its journey, ranging from encounters with abandoned alien craft to malfunctioning onboard computers and tensions among its crew and passengers. Midlin' Models -- There is extensive use of models in Ikarie. They came to the Green Planet, which turns out to be earth. Two men fly over in one of the saucers to investigate.
Viewers will note the lack of fist fights or treachery. This alien-optimism was common in Soviet-block sci-fi. Disagreements might get voices raised a bit, but in the end, authority is respected. The Ikarie, with its multiple spacious decks, lounge, sick-bay, exercise gym, cafeteria, etc. In the original, it is from earth, in the year 1987. On the minus side, while the abovementioned Soviet science-fiction films have the virtue of some excellent effects that stood them head and shoulders above their American counterparts one of the reasons they were brought up and reedited by Roger Corman , the ones here are less so. Production Company — Studio Barrandov.
In this sense, the Ikarie was the first modern 60s and later star ships. From Sub to City -- The space ship Ikarie is a radical departure from the 50s way of imagining space travel. The missing scenes purportedly feature more scenes aboard the deserted ship, showing that its crew came from a world that had destroyed itself in a nuclear war. They try to escape but do not. No big-fin cigar shaped rockets. The Ikaria, with it's near-light engines, was capable of more than solar-system travel. He coaxes Michael to surrender peacefully.
It was a military craft that still had that submarine feel -- more of a small naval frigate than a cruise ship. The original version was more blatant about the corrupt West. Some fear doom in going to sleep, but cannot resist. Two crewmen that were outside at the time are fatally affected by the radiation and one goes crazy, threatening the rest of the crew with a raygun. Michael and Svensen, who were outside, show signs of radiation exposure.
It's crew were not confined to mechanized pressure-suits and helmets, strapped into padded chairs. . In the original Czech version of the film, the Green Planet was simply an alien world that the astronauts were travelling to away from Earth but here the path of their journey has been reversed. The action with the models is clearly not as skilled as Toho Studios. In fact, Anthony has to control him with a remote control.
Given the fragmented script cuts and dubs , one could be forgiven for thinking that maybe the Ikarie had come from earth only to find themselves back at earth, or maybe at a different time. It was not the usual claustrophobic tubular transport that resembled a submarine -- full of pipes and valves, tiny hatches and little ladders. Zdenek Stepánek, Frantisek Smolík, Dana Medrická, Irena Kacírková Keywords : Voyage to the End of the Universe yify torrent movies, Voyage to the End of the Universe srt, Voyage to the End of the Universe yts, Voyage to the End of the Universe full movie download hd 1080p, Voyage to the End of the Universe yify, Voyage to the End of the Universe movie subtitles, Voyage to the End of the Universe yts movies, Voyage to the End of the Universe download, Voyage to the End of the Universe yts torrents, Voyage to the End of the Universe yify movies. There, at the end, they see an expansive hyper-modern alien city. Aboard the derelict, everyone is dead. The production values and set design have a clear 60s look. Why is this movie fun? In the Czech version, as the Ikarie approaches its destination its viewscreen shows the clouds around the White Planet parting to reveal a densely populated and industrialized planet surface.
The clouds part to reveal New York City! Everyone looks in eager anticipation as they descend on the Green Planet. Others included the likes of 1959 , The Heavens Call 1959 , Storm Planet 1962 , Andromeda Nebula 1967 and Moscow-Cassiopeia 1973. This Czech-made film was one of a host of science-fiction films that came out from behind the Iron Curtain during the 1960s, all dealing with space exploration. The re-release of the original Czech version with subtitles is a higher quality print. The main problem that the film has is that in opting for the kitchen sink depiction of the day-to-day life of a space mission that not very much happens throughout.
Their reward for all this trust and civility, is getting to visit our space neighbors quietly assumed to be equally benevolent. The film was selected for screening as part of the Cannes Classics section at the. We sit around watching people tending instruments, sunbathing in the solarium and conducting tentative romances. The best scenes are the ones venturing to explore The Typhoon, which are shot with dim lighting and akilter camerawork that evokes a certain edgy suspense. This removes a number of scenes from the original — cutting the running time of the original from 81 to 65 minutes. Scenes of money, gambling and weapons suggest western decadence and belligerence.